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Intima

by Marko Paunovic

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about

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Compositional process of Room SixTwentyone utilised extensive manipulation of four-channel magnetic tapes and reverbalised looped audio fragments. Sound experience was meant to be a remniniscence of traveling-in-place through aquatic landscape.

Room FifteenTen is based on exploring the boundary between real tonal potential of choral performance and it’s ambiental simulation. It was developed in a process of extension of the ambient selected by the ’theory of chance’ method, field recordings, stretch-reverbalised choral singing recorded on a four-channel magnetic tape, as well as in the (post)researching newly-produced synthetic spectrum. Sound experiencewas meant to be a reminiscence of traveling-in-place through etheric landscape.

Room NothingTwo emerged from the basis of the devotion to the absolute music. It can be seen as non-passaged, anti-toccata template set in a linear order, written for the magnetic tape and three oscillators. Sound experience was meant to be a remniscence of traveling-in-place through epifanic atmosphere of imaginary landscapes.



Compositions were created in a period between the fall of 2016 and the summer of 2017 in response to Ivan Čkonjević’s call out for quartal compilations ’Intimnosti’ (kompilacijaintimnosti1.bandcamp.com). ’Music from a room for people in rooms’ was the only exact guideline, therefore these sound passages can be treated as a kind of audio instalations as well.

Suggestion: listen in the dark.

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released January 6, 2019

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Marko Paunovic Belgrade, Serbia

Marko Paunović, ambient artist and sound sculptor works on the synthesis of electro-acoustics and ambient. As he works in the field of minimalism / ambient music / drone, his compositions investigate sound potential and refers to melancholic isolated atmosphere of north landscapes. ... more

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